[Now she sits at the wheel and starts to kick it, with the spin slow at first. She shows Randel her hands: relaxed, flat, fingers straight out, and as the wheel spins and the lump of clay turns slowly, she gently taps at the clay so it's nicely rounded and centered even a bit better.
Once this is done, Hange dips her hands in a bowl of water, set to the side.]
Now I kick it a bit faster, see?
[She cups her hands around the lump of clay, so it's wet too.]
Heels of hands together - elbows against your sides - this is called a plow forward. [Her hands make a V shape, where they touch at the heels is the point.]
It's not wiggling or off center so now squeeze up - it's like a cone, see? Cut off the tip with your thumbs and flatten the whole thing out... I'm gonna - gonna get slower, here, we're going to start putting in the hole... I know this is going fast, are you following me?
[ He nods. This is physical. Simple. He can understand it even if he might need a few tries to get the physicality and the movements right, teach his muscles how it works, what resistences are there, the feel of it. He nods again just so she'll be sure he's paying attention. ]
Alright, then! The next steps are I'm going to push down in the middle. That'll open the bowl's mouth, and then I'll pick up some of the excess clay, which you don't necessarily have to do, and give the bottom a push...
[Hange kicks the wheel along as she talks.]
And then you'll more or less be done!
[Hange starts up the process as described, using her thumbs to start opening a hole in the cylinder of clay she's coaxed into being, and then coaxing the bowl's curve higher and a little thinner. At the last step, Hange picks up a wet sponge that she prepared and set to the side and pushes firmly down on the bowl's bottom.
Then she puts her foot against the spinning lower platform, and carefully letting the wheel halt with gradual loss of speed.]
What we have now is a bit crude, and there's more you can do, but you're a beginner, so just try this basic handling right now.
[ He'll nod and move to take the seat, which has his knees up pretty high and his hands carefully reaching out to touch the clay just to get a feel for the texture. Then, just as carefully, he'll start trying to get the kickwheel going. Slow and steady. Just letting his fingers glide gently across the clay... ]
[ He nods, careful, and moves to wet his hands. Then he's back and watching how his fingers affect the shape of the clay while it spins on the platform. ]
[ For the moment, he's just going to play with the clay a little, make the sides to up and push them back down, slow and steady, gentle and careful. He gets a little lost in it, in fact. ]
[ She breaks him out of his seeming meditation hard enough that his hand shifts and he turns the 'vase' into a jumbled lump and he jumps a little before turning to look at her. ]
Hahaha, Randel! [This reaction is not totally a surprise, but that doesn't make it any more necessary.]
Relax. It was just an example, not even fired. And even if it wasn't - I destroyed plenty of my own pieces learning to do this. The medium is great, because it's forgiving! Smush them all back down to the beginning again if you want!
[ He considers the advice for a moment before reaching forwaard and smushing it down. Then, considering, he wets his hands again and starts kicking the wheel. He's tentative but soon enough, it's going fast again. ]
Mess with that as long as you want, but the more you do, the harder it's gonna be to work with - it's already soft now since I worked it, and it's just gonna get mushier. Don't worry about the clay, though. We can reclaim it.
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[ Loooooooong look. ]
What's the rest of it?
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[Now she sits at the wheel and starts to kick it, with the spin slow at first. She shows Randel her hands: relaxed, flat, fingers straight out, and as the wheel spins and the lump of clay turns slowly, she gently taps at the clay so it's nicely rounded and centered even a bit better.
Once this is done, Hange dips her hands in a bowl of water, set to the side.]
Now I kick it a bit faster, see?
[She cups her hands around the lump of clay, so it's wet too.]
Heels of hands together - elbows against your sides - this is called a plow forward. [Her hands make a V shape, where they touch at the heels is the point.]
It's not wiggling or off center so now squeeze up - it's like a cone, see? Cut off the tip with your thumbs and flatten the whole thing out... I'm gonna - gonna get slower, here, we're going to start putting in the hole... I know this is going fast, are you following me?
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[Hange kicks the wheel along as she talks.]
And then you'll more or less be done!
[Hange starts up the process as described, using her thumbs to start opening a hole in the cylinder of clay she's coaxed into being, and then coaxing the bowl's curve higher and a little thinner. At the last step, Hange picks up a wet sponge that she prepared and set to the side and pushes firmly down on the bowl's bottom.
Then she puts her foot against the spinning lower platform, and carefully letting the wheel halt with gradual loss of speed.]
What we have now is a bit crude, and there's more you can do, but you're a beginner, so just try this basic handling right now.
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[she'll let him mess with the clay without being observed.]
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Randel?
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S-sorry! I didn't mean-
[ He looks down at the mess as the wheel slows. ]
I destroyed it.
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Relax. It was just an example, not even fired. And even if it wasn't - I destroyed plenty of my own pieces learning to do this. The medium is great, because it's forgiving! Smush them all back down to the beginning again if you want!
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